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Yasmin P Favarato's avatar

What a great topic! I remember being fascinated by epistemology when I first studied it at school, and then, getting the feeling that it was all going towards nonesense in the end (with postmodernism and all that) but there seems to be still some interesting thinkers that may help us think and understand knowledge and truth more.

The problem of 'revelation' or 'inspired knowledge' is a deep one and one that many thinkers don't dare look into because of the materialistic imposition on all fields of knowledge we have. When reading your post I can't help but admire how you don't mind going where not many people want to go, connecting different fields and giving us kind of like a mosaic understanding of every subject you look into. Thank you for that once again!

Now, adding just my tiny bit of thought, what's very interesting about Kastrup's idea of MAL being something like a consciousnes with DID and us being like 'parts' of it, is that in Psychology there's the idea of the multiplicity of mind too, which doesn't refer to people with DID only but to all of us who, according to this view, also have inner parts of ourselves that have limited awareness of us as whole consciousness, so to speak. And the reason I find that interesting is that there's this idea that our own minds are a reflection of the reality in some way, or to say it in the cliche way, "as above so below", so perhaps there's something to be learned in how this inner multiplicity plays out that can help us learn how this potential MAL plays out too.

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The Oblique Notebook's avatar

Thank you for the article, Laura. I would like to share a couple of ideas on the subject, but they are not really related to what is discussed in the article. I will try to be brief and concise, using Grok, given its usefulness for creating good summaries.

The article has brought to mind a very important aspect of traditional spirituality: creative imagination, a term coined by Henri Corbin to refer to the alam al mithal often mentioned by Ibn Arabi. If you are interested in Ibn Arabi and like Chittick, in case you haven't read it, I recommend reading “Imaginal Worlds: Ibn Al-'Arabi and the Problem of Religious Diversity,” where he discusses the subject at length, and of course Henri Corbin's work on creative imagination. At least for me personally, it has helped me understand the variability of perception, understanding, and interpretation of reality.

For example, from that perspective, the Cassiopaea Experiment would be an imaginal practice that allows information to be “translated” into concrete forms that are apprehensible to participants to the extent that they are capable of translating (levels of being). To avoid going on too long, I asked Grok if there is a relationship between creative imagination and epistemology and in what way (I gave Ibn Arabi, Corbin, and Proclus as examples of authors who spoke extensively on the subject):

Grok:

Yes, the creative imagination—as developed by Henry Corbin, Ibn Arabi, and Proclus—maintains a profound and central relationship with epistemology, particularly in the realm of perennial philosophy, Neoplatonism, and Sufi theosophy. Below, I'll explain this connection succinctly, based on key interpretations.

The Concept of Creative Imagination

The "creative imagination" (or khayāl in Arabic, phantasia in Greek) is not mere reproductive fantasy, but an active epistemological organ that mediates between the sensible (material) world and the intelligible (spiritual) one. It enables access to intermediate realities—the 'alam al-mithal or "imaginal world"—where divine truths manifest as theophanies (symbolic appearances). This resolves classic epistemological tensions, such as the gap between faith and reason, or sensory perception and intuitive knowledge.

Relationship to Epistemology

In epistemological terms, this imagination functions as a mode of participatory and visionary knowledge, not merely rational or empirical. It facilitates:

Theophanic Perception: Knowledge arises from direct experience (shuhūd or vision), where the spiritual "incarnates" and the corporeal spiritualizes, enabling personal and dialogical gnosis (ma'rifa).

Symbolic Hermeneutics (ta'wil): It transmutes sensory data into symbols that reveal hidden essences (bāṭin behind ẓāhir), elevating knowledge to esoteric levels with seven degrees of interpretation.

Resolution of Paradoxes: Such as "seeing the invisible" (e.g., God without form), aligning with a transconscious phenomenology that integrates intuition (dhawq), cosmic sympathy (sympatheia), and the heart's creative projection (himma).

Contributions of the Authors

Ibn Arabi (1165-1240): In his Sufism, imagination is the "Imaginatrix" (Hadrat al-Khayāl), an organ of the heart with "two eyes" (reason and imagination). Its balanced mastery avoids perceptual distortions; it is key to self-knowledge ("He who knows himself knows his Lord") and recurrent theophany, where knowledge is co-creation with the divine.

Henry Corbin (1903-1978): He interprets this imagination as a gnostic bridge in esoteric Islam (Shi'i and Sufi), contrasting it with Averroist rationalism. In his work Creative Imagination in the Sufism of Ibn Arabi, he links it to prophetic epistemology: the contemplative prophet accesses eternal truths via subsistent images, integrating Neoplatonism and revelation.

Proclus (412-485): In Neoplatonism, imagination is a "creative and salvific" faculty in angelic hierarchies, freed from sensory deficiencies. It influences Ibn Arabi via Islamic Neoplatonism (Avicenna, Suhrawardi): it mediates cosmic sympathy (e.g., heliotropism as natural prayer) and emanation, making knowledge an act of cosmic homologation and creative renewal.

In summary, this imagination is not peripheral but essential to an integral epistemology that transcends empiricism and formal logic, opening human beings to multidimensional realities.

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That was all it was, a thought to share.

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